No. 14 (2018): Perception and Aesthetic Experience
Session 2. Neuroscience, Aesthetics, and Embodiment

The problem of images: A view from the brain-body

Vittorio Gallese
University of Parma, University of London, Columbia University New York

Published 2018-09-21

Keywords

  • aesthetics,
  • embodied simulation,
  • images,
  • neuroscience

How to Cite

Gallese, V. (2018). The problem of images: A view from the brain-body. Phenomenology and Mind, (14), 70–79. https://doi.org/10.13128/Phe_Mi-23626

Abstract

Why do humans create images and what are their features that make them special? How are image-making and the uses of images related? What is the purpose of images? The “problem of images” is addressed through the lens of contemporary neuroscience, arguing why and how neuroscience can investigate our relationship with art and aesthetics, framing this empirical approach as “experimental aesthetics.” Recent discoveries are presented that changed our ideas about perception, action, and cognition and the relationship among them, allowing a new look—complementary to the humanistic approach—at the problem of images. A new model of perception and cognition is proposed, called embodied simulation, which reveals the constitutive relationship between brain-body and the reception of human creative expressions.

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