Published September 21, 2018

Issue Description

Perception and Aesthetic Experience
Edited by Francesca Forlè and Elisabetta Sacchi

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Introduction

Art as Complement of Philosophy
Elisabetta Sacchi, Francesca Forlè
10-15
PDF

Session 1. Aesthetic Experience and Enactivism

The “How” and “What” of Aesthetic Experience. Some Reflections Based on Noë’s Strange Tools. Art and Human Nature
Francesca Forlè
18-28
PDF
Art and Entanglement in Strange Tools
Alva Noë
30-36
PDF
Ways of Perceiving and Mapping Human Cognition through Art
Ancuta Mortu
38-47
PDF
Can an Enactivist Approach Entail the Extended Conscious Mind?
Qiantong Wu
48-55
PDF
Color Relationism and Enactive Ontology
Andrea Giannotta
56-67
PDF

Session 2. Neuroscience, Aesthetics, and Embodiment

The problem of images: A view from the brain-body
Vittorio Gallese
70-79
PDF
Enactive Aesthetics and Neuroaesthetics
Joerg Fingerhut
80-97
PDF
Conceptual semantics as grounded in personal experience
Francesca Conca, Marco Tettamanti
98-116
PDF

Session 3. Art, Depiction, and Perception

Art made for pictures
John Kulvicki, Bence Nanay
120-134
PDF
The Nature of Pictorial Representations
Gabriele Ferretti
136-144
PDF
Twofold pictorial experience, propositional imagining and recognitional concepts: a critique of Walton’s visual make-believe
Marco Arienti
146-156
PDF
Visually-based Knowingly Illusory Presence and Picture Display
Alberto Voltolini
158-168
PDF
Can Movement be Depicted?
Nick Young, Clotilde Calabi
170-179
PDF
The Spatial Experience of Musical Sources: Two Case Studies
Elvira Di Bona
180-187
PDF
Modes of presentation and ways of appearing: a critical revision of Evans’s account*
Elisabetta Sacchi
188-202
PDF
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