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No 14 (2018): Perception and Aesthetic Experience
Published
September 21, 2018
Issue Description
Perception and Aesthetic Experience
Edited by Francesca Forlè and Elisabetta Sacchi
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Introduction
Art as Complement of Philosophy
Elisabetta Sacchi, Francesca Forlè
10-15
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Session 1. Aesthetic Experience and Enactivism
The “How” and “What” of Aesthetic Experience. Some Reflections Based on Noë’s Strange Tools. Art and Human Nature
Francesca Forlè
18-28
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Art and Entanglement in Strange Tools
Alva Noë
30-36
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Ways of Perceiving and Mapping Human Cognition through Art
Ancuta Mortu
38-47
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Can an Enactivist Approach Entail the Extended Conscious Mind?
Qiantong Wu
48-55
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Color Relationism and Enactive Ontology
Andrea Giannotta
56-67
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Session 2. Neuroscience, Aesthetics, and Embodiment
The problem of images: A view from the brain-body
Vittorio Gallese
70-79
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Enactive Aesthetics and Neuroaesthetics
Joerg Fingerhut
80-97
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Conceptual semantics as grounded in personal experience
Francesca Conca, Marco Tettamanti
98-116
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Session 3. Art, Depiction, and Perception
Art made for pictures
John Kulvicki, Bence Nanay
120-134
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The Nature of Pictorial Representations
Gabriele Ferretti
136-144
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Twofold pictorial experience, propositional imagining and recognitional concepts: a critique of Walton’s visual make-believe
Marco Arienti
146-156
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Visually-based Knowingly Illusory Presence and Picture Display
Alberto Voltolini
158-168
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Can Movement be Depicted?
Nick Young, Clotilde Calabi
170-179
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The Spatial Experience of Musical Sources: Two Case Studies
Elvira Di Bona
180-187
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Modes of presentation and ways of appearing: a critical revision of Evans’s account*
Elisabetta Sacchi
188-202
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