Art as Complement of Philosophy Elisabetta Sacchi, Francesca Forlè 10-15 PDF DOI: https://doi.org/10.13128/Phe_Mi-23620
The “How” and “What” of Aesthetic Experience. Some Reflections Based on Noë’s Strange Tools. Art and Human Nature Francesca Forlè 18-28 PDF DOI: https://doi.org/10.13128/Phe_Mi-23621
Ways of Perceiving and Mapping Human Cognition through Art Ancuta Mortu 38-47 PDF DOI: https://doi.org/10.13128/Phe_Mi-23623
Can an Enactivist Approach Entail the Extended Conscious Mind? Qiantong Wu 48-55 PDF DOI: https://doi.org/10.13128/Phe_Mi-23624
Color Relationism and Enactive Ontology Andrea Giannotta 56-67 PDF DOI: https://doi.org/10.13128/Phe_Mi-23625
The problem of images: A view from the brain-body Vittorio Gallese 70-79 PDF DOI: https://doi.org/10.13128/Phe_Mi-23626
Enactive Aesthetics and Neuroaesthetics Joerg Fingerhut 80-97 PDF DOI: https://doi.org/10.13128/Phe_Mi-23627
Conceptual semantics as grounded in personal experience Francesca Conca, Marco Tettamanti 98-116 PDF DOI: https://doi.org/10.13128/Phe_Mi-23628
Art made for pictures John Kulvicki, Bence Nanay 120-134 PDF DOI: https://doi.org/10.13128/Phe_Mi-23630
The Nature of Pictorial Representations Gabriele Ferretti 136-144 PDF DOI: https://doi.org/10.13128/Phe_Mi-23631
Twofold pictorial experience, propositional imagining and recognitional concepts: a critique of Walton’s visual make-believe Marco Arienti 146-156 PDF DOI: https://doi.org/10.13128/Phe_Mi-23665
Visually-based Knowingly Illusory Presence and Picture Display Alberto Voltolini 158-168 PDF DOI: https://doi.org/10.13128/Phe_Mi-23666
Can Movement be Depicted? Nick Young, Clotilde Calabi 170-179 PDF DOI: https://doi.org/10.13128/Phe_Mi-23667
The Spatial Experience of Musical Sources: Two Case Studies Elvira Di Bona 180-187 PDF DOI: https://doi.org/10.13128/Phe_Mi-23668
Modes of presentation and ways of appearing: a critical revision of Evans’s account* Elisabetta Sacchi 188-202 PDF DOI: https://doi.org/10.13128/Phe_Mi-23669
