No. 14 (2018): Perception and Aesthetic Experience
Session 3. Art, Depiction, and Perception

Twofold pictorial experience, propositional imagining and recognitional concepts: a critique of Walton’s visual make-believe

Marco Arienti
University of Antwerp

Published 2018-09-21

Keywords

  • Walton,
  • depiction,
  • make-believe,
  • twofoldness

How to Cite

Arienti, M. (2018). Twofold pictorial experience, propositional imagining and recognitional concepts: a critique of Walton’s visual make-believe. Phenomenology and Mind, (14), 146–156. https://doi.org/10.13128/Phe_Mi-23665

Abstract

Kendall Walton has defined pictorial experience as a visual game of make-believe, which consists in imagining our actual seeing the representational prop to be a fictional face to face seeing the represented subject. To maintain a twofold awareness of these two visual aspects while avoiding a phenomenal clash between them, Walton needs to characterise visual make-believe as involving a propositional imagining. Unfortunately, the strategy does not seem to be successful. Whether propositional imagination is taken as a simple descriptive report or as conceptually penetrating our perception, Walton’s account is not able to secure the visual and the twofold character of pictorial recognition.

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