Studi Slavistici IX • 2012
Epic Poetry as a Means for Transmitting Social (Symbolic) Capital in Renaissance and Baroque Litera- ture: the Artistic Experience of the Grand Duchy of Lithuania
Published February 13, 2013
How to Cite
Некрашэвіч-Кароткая, Ж. (2013). Epic Poetry as a Means for Transmitting Social (Symbolic) Capital in Renaissance and Baroque Litera- ture: the Artistic Experience of the Grand Duchy of Lithuania. Studi Slavistici, 9(1), 217-242. https://doi.org/10.13128/Studi_Slavis-12240
AbstractThis article attempts to show the emergence and development of epic poetry in the Latin language literature of the Grand Duchy of Lithuania in the 16th century-the first third of the 17th century with regard to the art history and sociological concept by Pierre Bourdieu (theory of fields). From such point of view the work of the authors at that time can be seen as the specific ways of positioning in the literature of the Grand Duchy of Lithuania. Latin culture (Latinitas) was significant in forming cultural capital in the Grand Duchy of Lithuania and works in Latin were the main means for transmitting social capital, which was also symbolic capital under the influence of certain habitus. Among such works are first of all the public and political ideas that were essential at that time (translatio imperii, “Jagellonian” patriotism), as well as the Polemon Legend. The herois perfecti idea became a significant part of symbolic capital at that time. This idea provided legitimate access to the Consecration process and was embodied in the idealized images of the agents in the field of temporal authority (that of a grand prince, a king or a magnate). The axiological potential of this symbolic capital at the point where the fields of literature and authority intersect was so great and acceptable within the European context that not only local but also foreign authors where actively integrated into the field of the Grand Duchy of Lithuania (which was also closely linked to the respective literature of the Polish Crown).
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