Spaces for performances: recovery and increase in value between flexibility and interference

Abstract

This contribute deals with the politics of improvement of the spaces for performances through strategies whose aim is the sustainable recovery, based on the ‘historic’ principles of flexibility of the spaces and on the recent targets of the contamination between genres and interdisciplinarity of educational and productive activities. The theatre architectures can interact with the performances, affecting their birth and development in the area of ‘the residential projects’, giving the contamination of artistic genders a clear run; wished event for a cultural growth and innovation, but also it represents the only way to make these manufactures live according to the politics of virtuous multifunctionality, especially for those cultural heritages of the provinces.