Vol. 10 (2014): Donne Racconto Conflitti
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Il cinema come campo di battaglia. Cineaste iraniane, la guerra con l’Iraq e la crisi in Afghanistan

Published March 5, 2015
How to Cite
Vanzan, A. (2015). Il cinema come campo di battaglia. Cineaste iraniane, la guerra con l’Iraq e la crisi in Afghanistan. Storia Delle Donne, 10(1), 79-95. https://doi.org/10.13128/SDD-15573

Abstract

Globally speaking, War Cinema is predominantly a male construction. Though Iranian cinema makes no exception, in this rich cinematic production some women directors have been trying to build a gender constructed narrative of war. The article explores how women artists are using external conflicts problematically, as a metaphor for the internal war Iranian women have been fighting in the last decades.

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