No. 28 (2024): Public works, common value
Essays and Viewpoint

Constructing with ruins. José Ignacio Linazasoro: buildings for marginalised places in Madrid

Nicola Panzini
Dipartimento di Architettura, Costruzione e Design, Politecnico di Bari
Bio

Published 2024-10-29

Keywords

  • Ruin,
  • Construction,
  • Integration,
  • Rehabilitation,
  • Linazasoro

How to Cite

Panzini, N. (2024). Constructing with ruins. José Ignacio Linazasoro: buildings for marginalised places in Madrid. TECHNE - Journal of Technology for Architecture and Environment, (28), 101–111. https://doi.org/10.36253/techne-15951

Abstract

Spain’s large cities have long suffered from decay and crime in the central areas, and the impoverishment and depopulation of smaller towns located in the crown. Madrid is such an example. The Lavapiés neighbourhood was a site of rampant unauthorised building practices. Formerly a shelter for sub-Saharan migrants, it is now among the best known to the tourist masses, which, however, mask its delinquency and social deterioration. Instead, the rural hamlet of Valdemaqueda has shrunk to its current number of six hundred inhabitants. Its economy is limited to religious pilgrimages, thus risking the disappearance of the local community. José Ignacio Linazasoro (1947), a Spanish architect living and working in Madrid and winner of the International Brick Award and of the Piranesi Prix de Rome, took on the task of ‘healing’ the Lavapiés neighbourhood and the Valdemaqueda hamlet through the integrated construction of two ruins with strong civic value.

Downloads

Download data is not yet available.

References

  1. AV Monografías (2001), “Iglesia, Valdemaqueda”, AV Monografías, Vol. 87-88, pp. 84-87.
  2. AV Monografías (2004), “Biblioteca y aulario de la UNED, Madrid”, AV Monografías, Vol. 105-106, pp. 118-123.
  3. De Solà-Morales, I. (1998), “Imitación esencial. La arquitectura de José Ignacio Linazasoro”, in García Grinda, E. (Ed.), José Ignacio Linazasoro. Obras y proyectos 1988-97, Fundación Argentaria, Madrid, pp. 9-13.
  4. Guarrera, F. (2014, Ed.), Trentasette domande a José Ignacio Linazasoro, CLEAN, Napoli.
  5. Kubler, G. (2002), La forma del tempo. La storia dell’arte e la storia delle cose, Einaudi, Torino.
  6. Kurrent, F. (1987), “Eine Eule nach Athen”, in Gaenssler, M., Kurrent, F., Nerdinger, W. and Peter, F. (Eds.), Hans Döllgast 1891-1974, Callwey, München, pp. 8-16.
  7. Linazasoro, J.I. (2007), “Questioni d’architettura”, in Presi, S. (Ed.), José Ignacio Linazasoro. Progettare e costruire, Casa dell’architettura, Latina.
  8. Linazasoro, J.I. (2015), La memoria dell’ordine. Paradossi dell’architettura moderna, LetteraVentidue, Siracusa.
  9. Linazasoro, J.I., Blanes, E., and Manasseh, T. (2020, Eds.), Hans Döllgast et le projet de Sauvegarde, EPFL-École Polytechnique Fédérale de Lausanne.
  10. Linazasoro, J.I. (2021), “Su Valdemaqueda. Progettare uno spazio sacro”, FAMagazine, nn. 57-58, pp. 68-75. Available at: https://doi.org/10.12838/fam/issn2039-0491/n57/58-2021/898 (Accessed on 05/06/2024).
  11. Linazasoro, J.I. (2022), La arquitectura del contexto. Una respuesta antimoderna, Asimétricas, Madrid.
  12. Linazasoro, J.I. (2023), I paradossi di Lewerentz, LetteraVentidue, Siracusa.
  13. Nerdinger, W. (1987), “Hans Döllgast – Aussenseiter der modernen Architektur”, in Gaenssler, M., Kurrent, F., Nerdinger, W. and Peter, F. (Eds.), Hans Döllgast 1891-1974, Callwey, München, pp. 16-23.
  14. Sainz Gutiérrez, V. (2020), “El vino y los odres. La intervención de J. I. Linazasoro en la iglesia de Valdemaqueda (Madrid)”, Actas de Arquitectura Religiosa Contemporánea, Vol. 7, pp. 212-223. Available at: https://doi.org/10.17979/aarc.2020.7.0.6339.
  15. Sedlmayr, H. (2020), La luce nelle sue manifestazioni artistiche, Aesthetica, Sesto San Giovanni.
  16. St John Wilson, C. (2001), “Sigurd Lewerentz. Edifici e luoghi sacri”, in Flora, N., Giardiello, P. and Castiglione, G. (Eds.), Sigurd Lewerentz 1885-1975, Electa, Milano, pp. 11-37.
  17. Tarkovskij, A.A. (Ed.) (2015), Andrej Tarkovskij. Scolpire il tempo. Riflessioni sul cinema, Istituto Internazionale Andrej Tarkovskij, Firenze.
  18. TC Cuadernos (2020), Linazasoro & Sánchez. Arquitectura 1994-2020, Arquitectura, Valencia.
  19. Venezia, F. (2002), “Una composizione binaria”, Casabella, Vol. 697, pp. 10-11.