Geological overwiew of Gandharan sites and petrographical analysis on Gandharan stucco and clay artefacts Carlo Rosa, Thomas Theye, Simona Pannuzi 12-39 PDF
Polychromy and gilding in the Gandharan sculptures from Pakistan and Afghanistan: samplings from Museum Guimet in Paris, Civic Archaeological Museum of Milan and Museum of Oriental Art of Turin Simona Pannuzi, Fabio Talarico, Giuseppe Guida, Carlo Rosa 40-81 PDF
The characterisation of paint binders in the polychromies and gildings of the Gandharan artworks Ilaria Bonaduce, Anna Lluveras Tenorio, Alessia Andreotti, Sibilla Orsini, Maria Perla Colombini, Marialaura Dilillo, Liam Andrew McDonnell 82-89 PDF
Investigating gilding techniques on Gandharan stone sculptures and architectural components: a preliminary note Marco Zaminga, Ivana Angelini, Massimo Vidale, Luca Maria Olivieri, Giuseppe Guida 90-99 PDF
Conservative data on polychrome stucco, stone and clay sculptures and architectonical decoration of Gandharan art Luciana Festa, Simona Pannuzi 100-111 PDF
A short note on contexts and chronology of the materials from Saidu Sharif, Amluk-dara, Gumbat and Barikot (Swat) Luca Maria Olivieri 112-129 PDF
Clays and colours: Tracking technologies and theories of vision in the ancient Buddhist art of Afghanistan Giulia Forgione 130-141 PDF
Collections gandhariennes et afghanes à Paris, Musée national des arts asiatiques-Guimet Pierre Cambon 142-155 PDF
Investigating gilding techniques on Gandharan stone sculptures and architectural components: a preliminary note Claudia Ramasso 164-173 PDF
