Published October 29, 2019

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Articles

An introduction: the Swat Valley and Florence
Luca Maria Olivieri, Simona Pannuzi
6-11
PDF
Geological overwiew of Gandharan sites and petrographical analysis on Gandharan stucco and clay artefacts
Carlo Rosa, Thomas Theye, Simona Pannuzi
12-39
PDF
Polychromy and gilding in the Gandharan sculptures from Pakistan and Afghanistan: samplings from Museum Guimet in Paris, Civic Archaeological Museum of Milan and Museum of Oriental Art of Turin
Simona Pannuzi, Fabio Talarico, Giuseppe Guida, Carlo Rosa
40-81
PDF
The characterisation of paint binders in the polychromies and gildings of the Gandharan artworks
Ilaria Bonaduce, Anna Lluveras Tenorio, Alessia Andreotti, Sibilla Orsini, Maria Perla Colombini, Marialaura Dilillo, Liam Andrew McDonnell
82-89
PDF
Investigating gilding techniques on Gandharan stone sculptures and architectural components: a preliminary note
Marco Zaminga, Ivana Angelini, Massimo Vidale, Luca Maria Olivieri, Giuseppe Guida
90-99
PDF
Conservative data on polychrome stucco, stone and clay sculptures and architectonical decoration of Gandharan art
Luciana Festa, Simona Pannuzi
100-111
PDF
A short note on contexts and chronology of the materials from Saidu Sharif, Amluk-dara, Gumbat and Barikot (Swat)
Luca Maria Olivieri
112-129
PDF
Clays and colours: Tracking technologies and theories of vision in the ancient Buddhist art of Afghanistan
Giulia Forgione
130-141
PDF
Collections gandhariennes et afghanes à Paris, Musée national des arts asiatiques-Guimet
Pierre Cambon
142-155
PDF
The Gandharan Collection of the Civic Archaeological Museum of Milan
Anna Provenzali
156-163
PDF
Investigating gilding techniques on Gandharan stone sculptures and architectural components: a preliminary note
Claudia Ramasso
164-173
PDF
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